"Please let me out, Mr. Gereth," she said; on which he opened the door with an hesitation so very brief that in thinking of these things afterwards—for she was to think of them forever—she wondered in what tone she could have spoken. They went into the hall, where she encountered the parlor-maid, of whom she inquired whether Mrs. Gereth had come in. Owen weighed her question as if he felt the responsibility of his answer. But that answer came in a moment, and, as Fleda could see, out of a wealth of memory. "She never wanted them particularly till they seemed to be in danger. Now she has an idea about them; and when she gets hold of an idea—Oh dear me!" He broke off, pausing and looking away as with a sense of the futility of expression: it was the first time Fleda had ever heard him explain a matter so pointedly or embark at all on a generalization. It was striking, it was touching to her, as he faltered, that he appeared but half capable of floating his generalization to the end. The girl, however, was so far competent to fill up his blank as that she had divined, on the occasion of Mona's visit to Poynton, what would happen in the event of the accident at which he glanced. She had there with her own eyes seen Owen's betrothed get hold of an idea. "I say, you know, do give me some tea!" he went on irrelevantly and familiarly.!

Fleda was struck, was even a little startled with the way Mrs. Gereth had turned this over—had faced, if indeed only to recognize its futility, the notion of a battle with her only son. These words led her to make an inquiry which she had not thought it discreet to make before; she brought out the idea of the possibility, after all, of her friend's continuing to live at Poynton. Would they really wish to proceed to extremities? Was no good-humored, graceful compromise to be imagined or brought about? Couldn't the same roof cover them? Was it so very inconceivable that a married son should, for the rest of her days, share with so charming a mother the home she had devoted more than a score of years to making beautiful for him? Mrs. Gereth hailed this question with a wan, compassionate smile; she replied that a common household, in such a case, was exactly so inconceivable that Fleda had only to glance over the fair face of the English land to see how few people had ever conceived it. It was always thought a wonder, a "mistake," a piece of overstrained sentiment; and she confessed that she was as little capable of a flight of that sort as Owen himself. Even if they both had been capable, they would still have Mona's hatred to reckon with. Fleda's breath was sometimes taken away by the great bounds and elisions which, on Mrs. Gereth's lips, the course of discussion could take. This was the first she had heard of Mona's hatred, though she certainly had not needed Mrs. Gereth to tell her that in close quarters that young lady would prove secretly mulish. Later Fleda perceived indeed that perhaps almost any girl would hate a person who should be so markedly averse to having anything to do with her. Before this, however, in conversation with her young friend, Mrs. Gereth furnished a more vivid motive for her despair by asking how she could possibly be expected to sit there with the new proprietors and accept—or call it, for a day, endure—the horrors they would perpetrate in the house. Fleda reasoned that they wouldn't after all smash things nor burn them up; and Mrs. Gereth admitted when pushed that she didn't quite suppose they would. What she meant was that they would neglect them, ignore them, leave them to clumsy servants (there wasn't an object of them all but should be handled with perfect love), and in many cases probably wish to replace them by pieces answerable to some vulgar modern notion of the convenient. Above all, she saw in advance, with dilated eyes, the abominations they would inevitably mix up with them—the maddening relics of Waterbath, the little brackets and pink vases, the sweepings of bazaars, the family photographs and illuminated texts, the "household art" and household piety of Mona's hideous home. Wasn't it enough simply to contend that Mona would approach Poynton in the spirit of a Brigstock, and that in the spirit of a Brigstock she would deal with her acquisition? Did Fleda really see her, Mrs. Gereth demanded, spending the remainder of her days with such a creature's elbow in her eye? "A good deal to myself, but a little, to-day, as you see, to Mr. Gereth,—" and the girl looked at Owen to draw him into their sociability. For Mrs. Brigstock he had immediately sat down; but the movement had not corrected the sombre stiffness taking possession of him at the sight of her. Before he found a response to the appeal addressed to him Fleda turned again to her other visitor. "Is there any purpose for which you would like my father to call on you?"

Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more. Once in the country, indeed, she saw that her father was right: the breath of December was abroad with a force from which the London labyrinth had protected her. The green fields were black, the sky was all alive with the wind; she had, in her anxious sense of the elements, her wonder at what might happen, a reminder of the surmises, in the old days of going to the Continent, that used to worry her on the way, at night, to the horrid cheap crossings by long sea. Something, in a dire degree, at this last hour, had begun to press on her heart: it was the sudden imagination of a disaster, or at least of a check, before her errand was achieved. When she said to herself that something might happen she wanted to go faster than the train. But nothing could happen save a dismayed discovery that, by some altogether unlikely chance, the master and mistress of the house had already come back. In that case she must have had a warning, and the fear was but the excess of her hope. It was every one's being exactly where every one was that lent the quality to her visit. Beyond lands and seas and alienated forever, they in their different ways gave her the impression to take as she had never taken it. At last it was already there, though the darkness of the day had deepened; they had whizzed past Chater—Chater, which was the station before the right one. Off in that quarter was an air of wild rain, but there shimmered straight across it a brightness that was the color of the great interior she had been haunting. That vision settled before her—in the house the house was all; and as the train drew up she rose, in her mean compartment, quite proudly erect with the thought that all for Fleda Vetch then the house was standing there. "I'm unhappy because I torment you, and you don't understand me."